Why I Use Off-Camera Flash to Make Images Pop
If you’ve looked at my work, you’ll know I’m all about natural, candid photography—capturing real moments as they happen, without turning your wedding into a photoshoot. So, you might be wondering, why do I use flash? Isn’t that a bit contradictory to the whole ‘authentic and natural’ thing?
The short answer: flash isn’t about making things look artificial—it’s about making them look as incredible as they felt in the moment.
When I Use Off-Camera Flash (And When I Don’t)
I don’t use flash all the time. In fact, for most of the day—especially during the ceremony, speeches and couple shots—I stick to natural light wherever possible. There’s something beautiful about using the light that’s already there, and I’m a big believer in getting the shot right in-camera first.
But there are times when natural light just isn’t enough. Here’s where off-camera flash makes a difference:
• Evening receptions & dance floors – The party is in full swing, the dance floor is buzzing, and the lights are low. Without flash, those fun, high-energy moments can get lost in the darkness or turn into a blurry mess. A well-placed flash adds just enough light to freeze the action while keeping that party atmosphere intact.
• Dimly lit venues – Some venues (especially barns, industrial spaces, and historic buildings) are stunning but can be dark, even during the day. Rather than cranking up my camera settings to the point where everything looks grainy or muddy, a subtle pop of off-camera flash keeps the scene crisp and natural-looking.
• Creating depth & drama – Flash isn’t just about making things brighter—it’s about shaping the light to add depth and contrast. A little directional flash can highlight details, make colours pop, and bring out the energy of a moment in a way that natural light alone can’t always achieve.
Why I Made the Switch from Natural Light Only
For a long time, I shot purely with natural light. It’s simple, effective, and works beautifully in most situations. But as I started experimenting with off-camera flash over the past two years, I realised how much it could elevate my images.
It’s not about blasting everything with light and making it look staged. It’s about using flash intentionally—to enhance, not overpower. I still keep things as natural as possible, but I now have an extra tool in my kit to make sure every moment looks as good as it should.
And no, it’s not like strobe lighting at a nightclub! I use single, controlled flashes—nothing harsh or distracting—so it won’t affect the atmosphere (or anyone sensitive to flashing lights).
At the end of the day, my goal is the same: to capture your wedding as it really felt. Whether that’s in soft, golden daylight or with a well-placed flash on the dance floor, the focus is always on telling your story in the most beautiful, authentic way possible.
In the gallery below are examples of recent photographs that have utilised flash. These include shots taken from across the dance floor, to fill in against the sun, and to highlight a couple from the opposite side of a lake.
